Okay, I’ll admit it— I haven’t put in enough work to earn the right to be upset about the rejection. Honestly, I expected it. I haven’t exactly flooded literary magazines with submissions. It’s no secret that getting published, even after your first couple hundred tries, is rare. I’m also impatient. I spent seven bucks on a poetry submission that promised a 24-hour turnaround, and not even two hours later, they hit me with this bad boy:
“Regretfully.”
Thanks, Jon. I’m sure your regret runs about as deep as a Petri dish. At least he managed to offer some positive, albeit vague, feedback: “striking, interesting, powerful, raw.”
I get it—my poems weren’t their cup of tea. Honestly, I didn’t even bother to check what kind of work they usually publish. Note: Always check, unless the lit mag clearly states that they take any and everything. I went in blind, tempted by the cheap promise of honest feedback within a day instead of waiting six months like most paid submissions. (Six months is equivalent to an eternity in lit mag years, btw).
Rejection doesn’t mean you suck at writing—or whatever it is you love to do. Trust me, rejection has been a recurring theme in my life, and not just in my writing, so I’m no stranger to it. That said, there are times when I really do suck at writing. I’ll revisit some of my old pieces and cringe so hard— not because they were inherently terrible, but because my emotions were overwhelmingly strong, and my ability to describe them just…wasn’t.
My thoughts:
And then there’s wonderful readers like Grace who remind me that people actually enjoy my melancholic ramblings, making my heart burst with renewed hope and joy:
As a writer, it’s nearly impossible not to feel the wave of disappointment flood through your veins when you read the opening of a rejection email. No matter how many rejections you’ve faced, the sting hits just as sharp as the first time.
Am I devastated by it? No. Disappointed? Of course. But I’m learning to take all things with a grain of salt. You may never know why some things unfold the way they do— and that’s not a terrible thing. When I read the email, I shrugged, took a screenshot, and decided to share it with you, my dear reader.
I know there will be plenty more rejection letters in the future—I’m not naïve to that. It’s a healthy awareness, one that keeps me humble.
Writing is ever-evolving, and so are you. Rejection, if you let it, will make you a better writer. It pushes you to step outside yourself and try something new—whether that’s experimenting with a different writing style or submitting to publishers you hadn’t considered before.
There’s always something good to be found in someone not wanting to publish your work. In fact, they might even be doing you a favor without even realizing it.
I had planned to submit my poems to another lit mag, but honestly, I can always write more poems. Frankly, I don’t think I would have submitted these again anyway. I’ll write something better, because that’s what consistent writers do: they write more and they get better.
So, to ensure they don’t get lost in my archives of lost words, I’ve decided to share them with you. They’ll live here, on Substack, and maybe they’ll find a good home in the heart and mind of someone who appreciates them and finds inspiration within them.
As Jon so graciously mentioned in the closing of his email, I encourage you to:
Be well. Be creative.
And I’ll add one more thing, dear dreamer:
Be patient.
Your time will come.
-k.a.
dormant
when hunger comes
I starve the monster that lies
inside—
dormant
while guilt gnaws at the threshold
Blind eyes make mute hearts
where things unseen and unsaid
Where old habits won’t die until you do
mosaic
Am I a mosaic
of everyone I’ve ever known?
or am I my own to love and to hate
To blame myself for all the mistakes
I’ve ever made
What if
heartbreak made me
into the monster that I am
What if
love made me soft and naive
What if
my laugh is from my father
and my tears from my mother
What if
who I am is not who I am at all?
flowers
The sun shines on your flowers again—
the kind you like
the kind you used to buy at the market
around the corner
I replaced the old brown stems with fresh pink petals—
the kind you picked when you wanted someone
to love you back
The sun shines on your flowers—
the ones in fresh dirt
the ones that lay on their side and tell you that world cries without you
The sun shines on the gray stone—
the one with your name engraved on it
the one with the dates
that say when you came and when you went
That stone behind the flowers you like—
the ones you used to buy at the market
burn with you
I follow your ghost around the corner
because I want to burn with you
To feel the lick of the flames on my bones
To let them char under your heated gaze
I would do anything
to fill myself with the tainted parts of you
To lose myself in you
To become a ghost while chasing you
So keep coming to him who is the Living Stone —though he was rejected and discarded by men but chosen by God and is priceless in God’s sight.
1 Peter 2:4, TPT
Authors Note:
My heart feels strained, and I’m not sure why. Maybe it’s too full of good things, causing the pressure to build up to the point where I feel uncomfortable— like overeating and then trying to lie down after. I made it through another month of writing— this one being the most busy writing month of the year. I feel accomplished but emotionally exhausted. When people talk about writing as pouring out your soul, I truly believe it’s more than just a metaphor— it’s the most literal truth. There have been many moments when the weight of words feels unusually heavy, leaving little room for anything else like working out spending a generous amount of time outdoors. I’ve had to give myself larger doses of grace this season, when my mind feels inspired but the cold weather leaves my body feeling lazy. Still, I finished November strong, and the creative in me is proud. That has to count for something, right?
Quotes that made me feel something:
Props for putting yourself out there! ✊🏽
I love this rejection response—I find it disheartening how generic, flat and soulless lit mag responses can be, when they exist to sell beautiful words. How uncreative! I mean, they've got many editors, they could make an effort to craft ONE cool rejection email.
Now, would you like unsolicited advice from someone who has a 100% rejection score so far (out of below 10 submissions)? Of course, you don't. It was rhetorical, this is a self-motivating comment about things I should be doing because after reading this post, I can't wait to get rejected. That means I put myself out there, and that I wrote, wrote, wrote!
So, 1) lit mag vibe check guide for lazy girls (I mean who would rather spend time writing and living so they have things to write about): I submit a sample of my writings to Chat GPT or Gemini and ask for a list of lit mags matching my vibe, then check them out. It's pretty accurate! I still have to actually SUBMIT to be able to tell if that works or not.
2) I don't buy into this idea that you have to send hundreds of submissions to be finally accepted. I guess this is the shooting-in-the-dark method. But if you find the right mag at the right time, all it takes is one shot right?
Next one could be it! Your poems are wonderful.